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"Oh," he thought, "she has gone to get wood or water," and he sat down again. But when night came he went out of the lodge and asked the people about her. No one had seen her. He looked all through the camp, but could not find her. Then he knew that the Thunder had taken her away, and he went out on the hills and mourned. All night he sat there, trying to think what he might do to get back his wife. "Oh, yes, thank you," says Mona, who is both surprised and carried away by the other's unexpected eloquence. "Were you? I have forgotten it," replies she, smiling happily, the color coming back to her cheeks. Whereupon Paul Rodney's brows contract, and with a muttered curse he turns aside and leaves the room, and then the house, without another word or backward glance..

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"It will be very bitter to me," says Lady Rodney. It is at this particular moment that Violet, inadvertently raising her head, lets her eyes meet Jack Rodney's. On which that young man—being prompt in action—goes quickly up to her, and in sight of the assembled multitude takes her hand in his. It is Mona's laugh. Raising their eyes, both mother and son turn their heads hastily (and quite involuntarily) and gaze upon the scene beyond. They are so situated that they can see into the curtained chamber and mark the picture it contains. The duke is bending over Mona in a manner that might perhaps be termed by an outsider slightly empresse, and Mona is looking up at him, and both are laughing gayly,—Mona with all the freshness of unchecked youth, the duke with such a thorough and wholesome sense of enjoyment as he has not known for years. "What is it?" she says, fearfully, and then, "Your coat is wet—I feel it. Oh Geoffrey, look at your shirt. It is blood!" Her tone is full of horror. "What have they done to you?" she says, pitifully. "You are hurt, wounded!".